Three Notable Breweries of the Wasteland

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This post is sort of my way to put to use one of my favourite writing exercises. At the start of each creative writing class in school, our teacher would put some music on and allow us to do some freeform writing for 15 minutes or so. This would allow us to get the worries, thoughts, and memorization techniques of our other classes out of our systems and shake up the creative juices in our heads, which would better prepare us for thinking outside the box.

After a couple of years of writing beer columns and, now, two beer guides, I’ve kind of been feeling a little creatively stagnant. I’m still enjoying a lot of what I’ve been writing, but everything has been too steeped in the serious, and I like to think this blog is a mix of both serious and fun. So with that in mind, and in an effort to shake up my brain a bit, here is a fictional article for a fictional newspaper that features a few of my favourite breweries in the far distant post-apocalyptic future, where civilization has been destroyed and is currently in the process of being rebuilt.

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Originally printed in Wasteland Adventurer Magazine, Issue 35, 2242

It’s not a secret that the world is a dangerous place to travel. From the human threats of bandits, pirates, and cannibals, to the non-human ones of super storms, large insects, and of course creepers, one has to tread carefully when seeking out adventure or even simply visiting friends and family. But as readers of this magazine are no doubt aware, the ancient saying “travel broadens the mind” quite often rings true and makes such threats a reasonable price to pay. The world is out there and with it a wealth of experiences. Different people, different customs, different food…

And of course, different beer.

With the seemingly infinite number of settlements, towns, and cities out there it’s almost impossible to keep track of all the breweries contained within them, making small batches of beer using local ingredients and techniques, and brewing exclusively for their local communities. While a complete record of the world’s breweries hasn’t been created yet, word does travel fast on a few individual ones that have captured the imagination and excitement of travellers. So with that, here are three breweries that are worth seeking out in the wastes.

Nepho Brewing
Barker Square, Tuskin Cloud City
If you happen to be a sky sailor, on the hunt for Glow Mist or *cough* less legal rewards, sky-citystop by the Tuskin Cloud City at 56.156259, -40.517578 to refuel your ship, exchange your goods, have a nice rest, and most recently, try some new beer. Nepho Brewing, located in Barker Square of the city, is the result of two former pirates who became better known for their brews than their bounty acquisition. Of the cloud cities out there, the duo decided that Tuskin was the best, as they’re more known there and the city’s placement above the near constant flow of Superstorm Clouds make it perfect for harvesting cloud water with minimal tax from the city. The brewery’s flagship offering, Perfect Storm Mild, is dark in colour with sweet toffee notes and an earthy, roasted character that adds balance before moving towards a dry finish. It’s also fairly low in alcohol, which is better suited to the clientele of sailors looking to lighten their wallets and ease their worries while on a week’s shore leave.

Bushwick Base Brewing
Jefferson Street Station (L Line), Brooklyn, New York
While the majority of the once great city of New York is in ruins and infested with Creepers and a varied number of mutated monsters, the city is still bustling, although primarily underground in the former MTA tunnels. If you’re looking for a great place to rest easy for a beer, walk down the L line to Jefferson Street Station, where Bushwick Base Brewing’s taproom is serving up some quality beverages that are sure to keep you warm at night. Working off-site out of the former Kings County Brewers Collective building, the 20-person team of former (and current) mercenaries risk their lives to go above ground, power up the generators, harvest from their rooftop farms, and brew for the masses. Because of the risk involved and infrequency of the releases, the price on a pint is pretty high, but the creativity and wide selection found in the candlelit taproom makes the cost worthwhile. As for the beers themselves, they’re all named after military slang terms, reflecting the brewer’s backgrounds. Expectant IPA is the most often consumed of the beers, and for good reason. It features a fairly light mouthfeel with an explosion of tropical fruits so bright, you could swear it could light up the MTA tunnels. However, if you have some coin and you’re lucky enough to be in the city when it’s released, the seasonal imperial stout 40 Mike-Mike is worth getting. Sold in handmade canteens, a few sips of this 18% beer will warm you right through while providing, if you’re lucky enough to have them, fond memories of chocolate and coffee.

Loup Garou Labyè
Bayou Pigeon District, Atchafalaya Basin, Louisiana
Located in a long-abandoned oil rig deep in the Bayou Pigeon district, Loup Garou Labyè has proven to be a popular brewing spot for settlers to the Atchafalaya Basin. The amazing thing about this brewery is that the entire community in the district are running it, enabling brewing operations to go on 24/7 and making it one of the most frequently consumed beers in the South Louisiana region. Making use of purified swamp water and local greenery, the beers are nothing if not unique. Of note, the Voler Porter, for instance, is made using locally harvested graine à voler (otherwise known as ‘Cajun Peanuts’ or American Lotus seeds), which are toasted and thrown in the boil, adding for a subtle peanut butter character.

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And I’m Back!

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Well, that’s the manuscript for the second edition of The Ontario Craft Beer Guide, done and dusted.

Between working on that for the past 5-6 months while also working on the promotion for the last book and juggling my columns and day job, and spending most of my waking hours doing some amazing things both  in the name of this book and for beer in general, this site seems to have been unintentionally put on the backburner.

So with that, I can promise you folks that in the coming weeks there will be a lot more on here. In particular, the long-planned “Book Diaries”, where I’ll be talking about some of the specific scenes in Ontario regions.

I’ll also be going back to some of the more fun posts. Because gods knows, having something of a living giving straight up concise bios and tasting notes can get a little samey. I miss the creativity found in short story reviews, label art appreciation, individual stories, and even a few conceptual pairings.

So all that to say “I’m not dead” and to stay tuned.

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The Brewer’s Path, Renoir, and the Craft Beer Narrative

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One of the things that I got a real sense of while co-writing the Ontario Craft Beer Guide and something that has really stuck out as we begin our research on a possible other one, is the narrative. The story each brewery has behind them.

The fascinating thing is that narratives in this more beer-focused sense are similar to a Renoir painting. If you step back enough you can see a beer narrative on the provincial, national, and even international scale. An LCBO online store that delivers via Canada Post, Canadians cleaning up in American brewing awards, the interesting goings of the biggest beer takeover, or even the growing demand for craft beer in China and South Korea. But you can also get right up close and see smaller but no less important narratives going on. A homebrewer’s path to going professional or a brewery’s journey in navigating the consumer landscape or growing as a company. It’s those stories that writers like me live for. It can be incredibly rewarding and educational just to track how far a brewery has come over the years and what experiences get carried by brewers who shift from job to job.

Here’s an example.

robertsimpson_logoFlying Monkeys Brewery in Barrie. Founded eleven years ago and originally named after the city’s first mayor, Robert Simpson Brewery had a fairly standard lineup of beers in its portfolio, which included Robert Simpson Pale Ale, Sugarbush Lager, Confederation Amber Ale and Antigravity Light Ale. Four years later the brewery underwent a rebranding because, as founder and head brewer Peter Chiodo said, “Being named for a dead white guy just isn’t very exciting”. The newly branded Flying Monkeys Brewery launched with a new beer along with their name, the Hoptical Illusion Almost Pale Ale, and soon after put a focus on esoteric and strong-flavoured beers with some of the craziest-looking art around. So crazy, in fact, that in 2011 the brewery saw themselves the topic of a province-wide discussion on the stronghold the LCBO has on many breweries when an application to stock the brewery’s latest beer, Smashbomb Atomic IPA, was declined because the depiction of an explosion on the label went against the government-run institution’s social responsibility policy.

smashbooombOver the years Flying Monkeys had been favouring brewing beers both extreme in flavour and high in alcohol content. Starting in 2011 with Alpha Fornication, “the world’s hoppiest beer” at 2,500 International Bittering Units, the brewery went on to make beers like Matador IIPA, Chocolate Manifesto, and the City & Colour Imperial Maple Wheat. Interesting concepts that were proudly over the top and, perplexingly, sold in large 750ml bottles despite the fact that for the most part the flavours were so extreme you couldn’t finish a pint of some of them. To add to their publicity for esoteric beers, they also regularly collaborated with musicians, notably Dallas Green and the Barenaked Ladies.

mythologyLately though, Flying Monkeys has been paying close attention to where people’s tastes are going and have started putting more of a focus on a few of their “simple done well” beers. Mythology, for instance. is a Czech Pilsner with a wonderful blend of biscuity malts and the floral, citrus character of Saaz hops. It’s incredibly well-made and has just recently won gold in the Canadian Brewing Awards. The brewery has also, finally, switched to cans, realizing that folks are more prone to buying one or two tallboys than they are for a six pack or giant bottle.

From basic entry-level beers, to outrageous and extreme flavour bombs, to award-winning pilsners in cans. That’s a hell of a brewery narrative, and it’s not even close to being finished.

One more.

DSC_0650Eric Portelance and Callum Hay are self-taught homebrewers with no formal training. For over four years they had been reading every book they could find, scouring every wiki and forum they could, to learn how to brew and brew well. They were also active members in Toronto’s large homebrewing community. When they eventually decided to start a brewery, one of the elements they had always insisted on being part of their identity was to have every single recipe for their beer available on their web site so other brewers can replicate or even expand on it. While several breweries have done this, the standard designation of it was putting out a “clone recipe”. Portelance, a former digital product designer, and Hay, a former software engineer, coined the term “Open-source beer” as a kind of tribute to their past lives. Terms aside, it was important for them to give back to the homebrewing community that helped them so much by putting their recipes out there for free.

DSC_0672After going through the usual tumbles of opening a brewery in Toronto (licensing, installation of equipment, testing the recipes etc.) Halo Brewery officially opened in the spring of this year. Located across the street from Ubisoft Toronto (people in motion capture bodysuits can frequently be seen around the area), the brewery experienced what is almost now common in the Toronto beer scene…a tremendous wave of support and near-constant packed house, with a very quick sell-out of many of the beers available that no one would ever have anticipated. Their beers include such delightfully nerdy names as Ion Cannon Strawberry & Kiwi Gose, Magic Missile Dry-Hopped Pale Ale, and Tokyo Rose Saison with Rosehips.

Despite their initial success Portelance and Hay have brought their experience of homebrewing with them, which means they are always refining their recipes and their process to get it to their own constantly raising standard. It also means that they’re learning a lot of the little differences between a homebrewing setup and a full-on brewery, which is something that can only be learned by starting your own brewery. Luckily for the duo, they anticipated all of this so they’re rolling with the good and the bad.

Callum Hay and Eric Portelance’s individual stories are long, but Halo Brewery’s has just started. That’s exciting.

Now it should be said that not all of the narratives in the beer scene are happy ones. While we’re seeing more and more breweries open up lately there are still a bunch that are closing down, and I don’t feel the latter gets as much attention as it should. A lot of breweries, most contract (folks who hire a brewery to brew their beer for them), some not, get into brewing thinking that it’s a giant cash cow and that the money will just come rolling in. Others end up just not progressing as much as they’d like to and the dream becomes unfeasible. Just today brewer Victor North announced that his brewery, Garden Brewers, was winding down operations. In his own words, he says: “We began to really focus on growing into a bricks-and-mortar company, but we also began to really lose money. I genuinely thought that we would beat the clock -and the odds- but we now find ourselves in a position where we are unable to continue”. It’s moments like that which remind you that, regardless of the reason, it is still possible to fail in this business. However, not wanting to be a downer, I should point out that while that’s the end of Garden Brewers’ narrative for the time being it is by no means the end of Victor North’s. The dude is a bright talent and he’ll continue to do awesome things within the industry. He’s by no means down for the count and I couldn’t be happier about that.

These are just a few examples of the thousands of narratives that are currently going on right now as you’re reading this. From a beer industry viewpoint they’re great to hear and provide insight into the ethos of a particular brewer or brewery. For a customer, it does the same, only I kind of feel those stories don’t get told as often as they should, what with all the commercials about the fresh ingredients and so on. But even then, all it takes to learn the story of a brewer is to simply walk up to them at an event and ask.

Chances are, they’d like to tell it to you.

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TRUTHSEEKER ALERT: NEW LEGENDARY MUSKOKA ODDITY SIGHTING!!!!

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Up here in Ontario there was some excitement on my part when I found out that Muskoka Brewery’s Legendary Oddity, formally the Spring Oddity, a Belgian Ale made with Heather Tips, Juniper Berries, Sweet Orange Peel, and Candi Sugar has not only come back to the brewery’s lineup, but also evolved from their giant 750ml wine bottle to a respectable tallboy can. I was happy about this for two reasons. Firstly, that particular beer, which itself was an oddity by being one of the early Belgian-style beers in Ontario, always marked the arrival of the spring season for me. so getting it on a day where the grey clouds actually parted to reveal sunny and mildly warm weather behind them made me feel all good. As erratic as it’s been, it was a long winter.

oddddddityThe second reason I got excited was because Muskoka’s marketing for it has leaned heavily on the Cryptozoology aspect of the beer which considering its mascot, a large eagle with antlers called a “Reineagle”, is absolutely perfect to create a story and social media campaign behind. The brewery has even gone so far as to make up some photos of Oddity “sightings” which I think are really cute (Above is my own discovery, from when I was hiking in the woods).

For those who don’t know, Cryptozoology is, in absolute basic terms, the study of animals that have very little evidence of their existence, but have been seen in legends and folklore of the locality. Think the Loch Ness Monster, El Chupacabras, The Jersey Devil, Mothman, and everybody’s favourite party animal, Bigfoot.

I love Cryptozoology. Not just because it’s taking a look at local lore and seeing if there is any substance to it, but also because in this day of cynicism, where there are all sorts of conspiracy theories over governments trying to destroy the population or personally attempting to bring forth the end of times…it’s just pleasant and downright heartwarming to know there’s someone out there looking for Bigfoot just to confirm that he exists. Like, maybe for some financial gain, but mostly just doing it to see if he’s real. Reading stuff on Cryptozoology is a good way to take a break and realize that there’s a more wholesome and optimistic type of fanatic out there.

In doing some research I was disappointed to find that, while Ontario has some legendary creatures of our own, they don’t seem to excite many folks in the cryptozoological community. We have a bunch of lake monsters reported as far back as the 1800s and the odd Sasquatch kicking around, but that’s about it.

Well…actually there is one.

Wendigo1The only creature that really sticks out is the famous Wendigo, a half-man-half-monster that has its origins in the belief system of the Ojibwe, Cree, Naskapi, and Innu people and has been spotted around Northern Ontario, particularly near Kenora (Note to self, call up Lake of the Woods Brewery up there). While the legend itself varies, one thing is common, a person could transform into a Wendigo by taking part in cannibalism, a strong taboo in the Algonquian cultures, even in dire circumstances such as needing to survive the cold. The transformation would leave that person as a horrible creature of pure malevolence, obsessed with the consumption of human flesh.

For further reading on Cryptozoology, check out American Monsters by Linda Godfreys. While it puts its focus on the States, it is fun to read about creatures of air, land, and water in the regions.

Now. On to the beer.

To be honest, it’s been awhile since I’ve tried this beer. It’s been on hiatus for a while and my tasting notes are lost to time. I’m happy to note that the flavour is really….well, bright is the only way to put it. The juniper berries provide a nice tart note along with a gin-like mouthfeel (not surprising, since the berries are a key ingredient in gin), while the heather tips and orange peel do the heavy lifting making for some wonderful bitter notes. The candi sugar wraps it all up in a lovely sweet blanket and there’s a gentle jab of warmth and a fairly dry mouthfeel. All in all, it’s definitely a great welcome in to the Spring season.

Muskoka’s Legendary Oddity will be out in LCBOs on April 1.

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At Year’s End: So Long, 2015

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I’m up at the family cottage for the holidays. Currently I’m sipping on some decent coffee, have Big Trouble in Little China playing in the background, and looking through my notes from the book reflecting on the past year.

And what a freakin’ year it’s been. One that truly has underlined the blessing and curse of the saying “may you live in interesting times”.

Professionally, this was probably one of the best years for The Thirsty Wench and me as a beer writer. Some notable highlights included finally getting my own column in Torontoist. The punny Inherent Weisse has been chugging along every two weeks and it’s…actually been pretty nice. For the first time in a good long while I’ve been forced to look at my local beer scene and it’s been an interesting and often frustrating dance making my focus go smaller.

And oh yeah, the book haha.

IMG_20151210_113643Since the announcement of the Ontario Craft Beer Guide, Jordan St. John and I have sampled beers from all of the province’s breweries (with a cutoff of two weeks before the manuscript was due) and we’ve learned a few things from it. Firstly, despite how it may sound, drinking every beer in the province is not fun. Mainly because you’re not drinking for pleasure, you’re drinking for work, and have to maintain a strong focus and sharp senses from your first few beer samples all the way to your 50th. Because of this, you really start to develop a deep appreciation for small samples. That said, the both of us found a LOT of surprises in the unlikeliest of breweries and found that a lot of much-hyped breweries were, surprise surprise, not as great as many would believe.

Secondly, it was great to see the changing landscape of beer in Ontario. I’ve been happy to see that “simple done well” has been on the rise in terms of beers, with some wonderfully complex and understated offerings. Additionally, I’m really fond of how breweries, mostly outside of the cities, have really gone out of their way to be active members of their local communities and it turns out that said communities have always wanted a good quality local beer available to them and that the fierce loyalty to Molson or Coors is a bit more bullshit than I would have originally thought.

And finally, I learned about the whole book writing process, which was a tough and stress-filled lesson. For this edition I found myself awake at 3am, knocking back energy drinks like they were water, writing frantically, and listening to Death in Vegas. So basically it was like I was in college again and at my ancient age of 31, that wore me the hell out. By the time we submitted the manuscript I was practically feral, with plates, glasses, and cans scattered around my desk like monuments, and a foul smell that comes from forgetting to abide by the basic rules of personal hygiene. Ah, the glamour of writing!

Anyways, the year is over now. Well, almost.

Because I write about beer, I often get asked on what to drink for New Year’s, but I often disappoint when I answer because they’re really asking what to drink at a New Year’s party and hahahaha I don’t party. Most times I either go to a Buddhist temple to reflect on the lessons of the year or I spend it quietly with my family doing very much the same. All I can really say is…drink whatever makes you happy and make sure you’re where you want to be. It could be out with friends or alone at home. As long as you’re comfortable, that’s all the matters.

Me, I’m going to probably open up a bottle of Rochefort 8 from my cellar. Originally brewed in 1955 as a beer specially for New Year’s Eve before becoming year-round in 1960 and containing beautiful notes of caramel and dried fruit, I’m looking forward to cracking it open. After that…we’ll see where it goes.

2016 is going to be fun. Have some travel planned, the book will be launching, and I’m planning some really interesting posts for the site. Way more than there was in 2015 for sure! So stay tuned.

Happy New Year, friends. May 2016 bring joy and wonder to you and yours.

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Goose Island and the Return to Chicago

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I have a lot of fond memories of Chicago.

Longtime readers may remember that I was there back in 2012, where I went to C2E2 with my partner at the time, hung out with a few of my friends (some from Chicago, others from NYC), and tried a LOT of fantastic beers. 3 Floyd’s Arctic Panzer Wolf, the many amazing selections Revolution Brewing had and still has, and, of course, Goose Island beers. In fact, Matilda was the very first beer I had in Chicago, and was the first beer with Brettanomyces in it that I had. While it wasn’t the best Goose Island beer of the trip (That title goes to the FANTASTIC bottle of Bourbon County Bramble Rye I had), it still has a special place in my heart. Hell, I still think I have one of the bottles from that trip stashed away in the cellar.

IMG_20151113_144843-01What I didn’t quite realize at the time was that there was a very heated debate going on in the beer circles. In 2011 Goose Island announced that they would be selling their stake of the brewery to Anheuser-Busch InBev, with the remaining shares also being sold to AB InBev. Social media went, as it always does with news like this, absolutely nuts. A year after the announcement when things were starting to roll out, the web was filled with conspiracy theories and scenarios of the quality of beer taking a severe nosedive. Three years later, Goose Island has made more of a push in to the Canadian market, with the latest offering, Goose IPA, being a favourite among many.

So when Goose Island invited me on trip to Chicago in September to tour their facilities and check out the much anticipated 312 Block Party, I jumped at the chance for a few reasons. Firstly, I’ve heard a lot about the block party. My local friend from Chicago, Corben, said a lot of good things about it, as well as many beer nerd friends. Secondly, I wanted to try some of the more different offerings from the brewery. So far we only have Matilda, Sophie, Pepe Nero, Honkers, and Goose IPA. All staples and mainstays. I wanted some one-offs. And finally, I wanted to see the differences found four years after a small brewery has been bought by one of the big guys.

And folks, some of you might not like hearing this, others, like me, might have known this for years, but…

They’re doing really good work in the name of better beer and the buyout has done little more than given them the tools to play around more and bring forth offerings typically found in a few bars in a single city to places all over the country. Aside from the very normal problem all breweries regardless of size have in terms of some batches not doing as well as others, there has been very little drop in terms of quality (frankly there’s been a rise) and the rate of consistency of said quality is outstanding. 

IMG_20151113_143627With no other beer is this more true than with Bourbon County Stout. Originally served as a special milestone “batch 1000” beer at their Clybourne brewpub in 1992, the beer now has a cult following among beer nerds. The Bourbon County off-shoots have an arguably even more rabid following, with crowds at the 312 Block Party running as fast as they could in the rain to get in line for a small sample of the selected limited release batches. And to be honest, after tasting the Proprietor’s Bourbon County at the event, with the gorgeous notes of Cassia and coconut water and a slightly warming creamy texture…hell, I’d run through a fire for that beer. Several fires, even.

As far as what’s changed at Goose Island since I was last there, it seems to be one of those “good kinds of problems” that I’ve been seeing a lot with breweries who are either bought or are just naturally growing. Similar to the Sam Adams brewery in Boston, Goose Island’s Fulton brewery, where the beers were mostly made, seems to be slowly transforming in to an art space for beer, allowing brewers to experiment with ideas on new brews that range from alteration on classic styles, to . The other part of the brewery is devoted to one of their best sellers, Matilda. The tanks holding Matilda are freakin’ huge, with several vertical tanks on the roof being maintained temperature-wise because head brewer Jared Jankowski and his team found that Matilda tastes better when it’s brewed in the winter.

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The real big change though, and by far one of the most impressive, is Goose Island’s Barrel House. A 133,000 square foot facility filled with full barrels in numbers so large I don’t honestly think I can accurately guess and they’re already talking about expanding the damned thing. The facility is filled with beer aging in pretty much all types of barrels you can think of (different bourbons, different wines, different tequilas…), all in varying degrees of time length and temperature. It’s a monstrous facility that really brings home the primary drive of Goose Island’s success: their ability to make rare beers combined with the actual talent it takes to make them well.

So as I’m standing in the barrel house sipping on a 2013 Gillian, a mindblowing farmhouse ale with strawberry notes and a hint of wildflowers and honey with a delicate dry finish, a world class beer to be sure…I can’t help but think “why would I ever be against a brewery, or a company that purchases a brewery, that wants to make this facility and beers like this a reality?”

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And that’s where, in the name of good beer, I have to side with Goose Island. I understand that a lot of people hate big breweries and feel that they take jobs and revenue away from smaller breweries, but this trip gave me the impression that Goose Island isn’t trying to do that as much as people suspect. While they have many quality beers as part of their regular rotation (Again, my love for Goose IPA is deep) and those are found around more and more, it’s the rare beers like Proprietor’s Bourbon County Stout or the 2013 Gillian, that are very clearly the focus and frankly, there are very few breweries that are making rare beers like they are on that large of a scale. Regular beers get lost in the shuffle and there’s a lot of concern about oversaturation. Hell, go in to any liquor store (Like Chicago’s Binny’s) to see the reality of that. White Whale Beers however, the kind of beers the people line up for 5+ hours for or run at breakneck speeds through the rain for a SAMPLE…those are growing, but are less abundant. And it’s there that I think Goose Island is most comfortable.

IMG_20151113_142904The 312 Block Party was a testament to that final point, I feel. While the first night was rainy, the second night had clearer weather and was just jam-packed with folks enjoying themselves and clamouring for the beers on offer. Many didn’t care about the politics of the brewery, they were there for several reasons. The rare beers, the seasonal beers and collaborations (including the incredible Coffee Ale, brewed with Intelligentsia Coffee beans), the music, and because the block party has quite simply embedded itself in to the city. Of course there are many breweries within the city, and when you think of Chicago several come up, but one of them certainly is Goose Island and I know very few locals who aren’t excited when the Block Party comes around each year.

I’m really glad I went on this trip. Aside from getting to see my friend Corben, getting introduced to some fabulous places like the Eleven City Diner and the delightful dive the Ten Cat Tavern, and getting some serious shopping in at The Spice House (my favourite spice shop ever), it was good to see the status of a brewery that I initially had fond memories of and to see that their quality hasn’t dropped over time, but that they have been putting more focus in to higher quality beers and embracing the concept of rarity.

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So I’ve been busy (Ontario Craft Beer Guide Announcement)

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Hey folks, a lot of you might have noticed that I haven’t posted much on here this summer. My deepest apologies. Work has been absolutely crazy, with things just getting incredibly busy leading up to a string of business trips last month. Rest assured that posts are on the way. I have at least three posts in my drafts folder waiting to be tweaked on.

But before we get to that, I wanted to let you all in on some news. This will excite many people, but in particular long time readers and loved ones, who have seen this site grow since 2011.

As of today, fellow beer writer Jordan St. John and myself have signed a book contract with Dundurn Press to write The Ontario Craft Beer Guide, a comprehensive guide of Ontario’s breweries, brewpubs, and contract breweries.

Details will come soon. We’ve only just signed the thing and put it in the publisher’s hands. But I can say that we’re looking at a 2016 release, it will feature pictures, and that it’s the first book of it’s kind since 1993’s “Ontario Beer Guide” by Jamie Mackinnon. Safe to say that a lot has freakin’ changed since that time.

Right, I should get back to work. I just wanted to let you folks know. While this has been a Thing In The Works for a little while, now that it’s out there in the big world, it’s…it’s emotional, to be honest. Just going through this whole journey from blogger to contributor to columnist, to author. Freakin’ author.

Man.

Anyways, for some more official news, check out Canadian Beer News and Ontario Beer Network’s articles. Stay tuned for more details.

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